How is a facemounted acrylic print produced?
"Acrylic facemounting" is a process that involves applying an optically clear adhesive to the face of an existing fine art paper print, and then adhering the print to a 1/4" sheet of museum-grade acrylic.  Once the print is adhered to the acrylic, a backing material, typically either Dibond or Sintra, is adhered to the back of the print to protecting the print and provide rigidit.  The backer also provides the surface to adhere the hanging and floating hardware which provides that modern, floating off the wall look.
Why are they so appealing to the most discerning collectors:
Firstly, they offer a level of durability and longevity that is not found in traditional prints. The acrylic glass protects the print from fading, moisture, and other environmental factors, ensuring that the image will remain vibrant and clear for years to come. This makes them a valuable investment for collectors who want to preserve their artwork for future generations.
Secondly, these prints offer superior visual clarity and detail. The acrylic enhances the vibrancy and depth of the colors in the print, making the image appear more lifelike and three-dimensional. This is particularly appealing to collectors who value the highest quality prints and want to showcase their artwork in a way that is visually striking.
Summary
The combination of durability and visual quality makes facemounted acrylic prints a solid choice for discerning collectors of photographic fine art prints. They are a valuable and sought-after choice for those who want to display their artwork in a way that is both professional and long-lasting.
Options
Framing
The choice of framing comes down to client preference, usually about the potential fit in an intended hanging space. Framed acrylics are solid choice for collectors that prefer a traditional presentation style,, whereas unframed acrylics are often the perfect solution for spaces with a modern vibe.
If framing is for you, I have professional alliances with several artisan framers and will work with you in selecting the right look for you and with the framer, managing the custom-building process and final delivery.
Fine Art Photo Paper
Certain papers are strongly preferred for these high-value prints, as some work far better than others when it comes to the adhesion stage of the process! Generally, I recommend one of three top-tier papers: FujiFlex Crystal Archive for people preferring the smooth look of classic continuous-tone printing, or Lexjet Sunset Metallic or Vivid for those seeking the broader color palette and longer print-life that comes with giclée printing.
Glare-reducing Acrylic
A good solution where for hanging spaces close to direct light sources, but also a nice insurance policy in case the hanging space ever changes!